Visual Effects Supervisor
He moved on to Shaders Supervisor, overseeing the look/dev of the digital assets on several films, including The Adventures of Tintin. On Avatar, he co-developed the global illumination lighting /spherical harmonic pipelines and served as the Head of Shaders.
As Visual Effects Supervisor, Martin has worked on several films including Prometheus, The Wolverine and Furious 7 (where he led the team in creating a digital Paul Walker to help finish the film). Martin was nominated for an Academy® Award for Visual Effects on Prometheus and received an Academy® Technical Achievement Award for the creation of the spherical harmonics-based efficient lighting system. Martin has recently completed work on Luc Besson’s Valerian and the City of a Thousand Planets.